Casino Royale 2006 Black And White
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This 4K UHD release of 2006's Casino Royale begins the Daniel Craig era as the British 00 agent James Bond. The 4K disc is a slight upgrade over the near reference level quality of the 2K blu-ray, which is included as well as digital code. Casino Royale Opening Sequence Daniel Craig's first Bond film Today in 2006, the Casino Royale crew shot the black and white opening fight sequence. The pre-credits scene, filmed in black-and-white when the traitor Dryden says 'Don't worry, the second is.' Bond puts one silenced round in his chest killing him instantly; and then finishes his sentence for him, 'Yes. Several people in the theater who didn't even know each other turned to one another and said, 'That is James Bond!' In the opening title sequence: 'You. James Bond CASINO ROYALE Movie - Clip - Opening scene in 2006, the CASINO ROYALE crew shot the black and white opening fight sequence.
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After the conceptual bloat of the late Pierce Brosnan films, the coming of Daniel Craig was supposed to be a return to basics: a post-bubble austerity program for a franchise struggling with its longstanding reliance on subprime special effects and gimmicks.
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And the intro sequence here is extremely basic. Gone are the massive action set-pieces, the mind-boggling stunts, the beautiful women, the cars, the gadgets. Instead, we watch, in flashback, the story of how Bond first earned his “00” status — his license to kill.
But what it lacks in flash, it makes up for in film-school artsiness. The whole sequence — in which a crooked MI6 station chief arrives at his Prague office to find Bond waiting for him — is shot in hi-contrast black and white, with Hitchcockian camera angles and stark, shallow-focus closeups. It’s quite beautiful, really. But we didn’t come here for a master class in building cinematic tension; we want to see Bond kick some ass. Which he does, satisfyingly, in a flashback-within-the-flashback—but again, it’s a stripped down fight scene, two guys going mano a mano in a dingy restroom.
The intro manages the nice trick of highlighting that this is not only a new Bond movie but that this is a new Bond, one we haven’t seen before. Pierce Brosnan’s 007 had a family motto, while Roger Moore’s drank espresso and had an exclusive bootmaker. This Bond, however, seems to have no such upper-class pretensions. He’s a cold-eyed killer: tougher, meaner and a lot more rough around the edges.
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GRADE: B
NextGoldfinger, 1964